Although I didn’t do the throwie idea because not all of the materials I needed came through on time, I decided to do something different, something that I wouldn’t normally do and is well out of my style to try and put myself into the same mind frame of the artist, using their same styles and techniques.
As I’ve hardly touched any form of tradition art whether it be drawing or canvas painting, I thought it would be a good idea to go down this form of art to try and investigate the ideas and feelings of someone in a different field to what I would usually do.
When I was younger I used to watch a Japanese animated series called Gundam Wing which involved futuristic human shaped robots that would fight each other in outer space. The shapes and styles of these robots had always fascinated me, but nothing came from it. So when I saw Leigh Flurry’s drawing he did it instantly caught my eye and inspired me to recreate it. I am quite sure these characters are where Leigh got his inspiration from in drawing the robot as it matches the style of them in the show.
It’s not a piece of art that’s been planned, had hours spent on and worked till perfection which gives it a raw style sketch feel to it. In a way, that’s what inspired me to recreate it - being able to sketch something so well as if it was second nature.
I noticed that Leigh was using varying pen thicknesses to achieve different type of strokes on the outlines of some details so I had to buy a number of pens to use and a Royal Mail envelope to match the same canvas used. The envelope adds to the sketch idea, as if it was just done randomly.
All of the materials were gathered and it was time to get on with the drawing. At first I had no idea where to start as there are no obvious clues as to where Leigh started with the drawing - in the end I just settled to go logically and start with one of the wings in the top left. One thing I remembered when I was doing drawings when I was younger was that they usually become disproportioned so to combat this I drew up a grid which worked as a frame for me to align all of the body parts together. As Leigh’s drawing was rather symmetrical and aligned it should have fitted well, although in the end I ignored the frame and worked by eye which didn’t end up too bad. I noticed that the shape of the robot is rather symmetrical so it helped to know that one side of the shape is going to be roughly equal with the other. Although I didn’t get it perfect, I feel that I did a better job than I expected to.
I used a pencil to begin with because I wouldn’t have been able to rub out or adjust any mistakes I have made with a thick black pen. The overall shape of the robot was drawn first, getting all of the features of the body together in proportion, and then detail was worked on after. At first you do not notice it, but there is a huge amount of detail in the drawing which posed a problem when trying to fit it all in. After getting a rough shape and some of the detail in with pencil, it was time to start confirming the lines made with a thin black pen. The thin lines were used on some of the inner lines and detail and the thicker black pen was used on shadowing and outlining the robot. As the drawing is a sketch, it shows Leigh didn’t use a ruler and that it was all done freehand, so I did the same. I think some of the lines would have benefited from being perfectly straight because it would’ve helped strengthen the overall piece, however it would then detach from the sketched feel.
When I had finished the drawing, I kept noticing little bits of detail that I had missed so I went back and put them in. It seems that Leigh spent as much time on the minor details as he did with the shape of the robot because there was so much of it.
After everything had been finished, I feel that I did quite a good job in recreating the piece for someone that hasn’t touched traditional art for years. Whilst drawing the robot, I could feel where Leigh had gone in terms of steps throughout creating it as certain shapes within the shape of the body became natural to draw in sequence on the body.
I still would have liked to do the throwie idea (and probably still will do in the near future) because it involves a lot more hands on work and getting into the public and involving an open exhibition which I’ve always enjoyed. Although it was good to flip the tables and learn something new, something I’d not necessarily go near usually. I enjoyed the casual feel to the drawing, as if it was something you would do on the train home or whenever you had some free time. It did feel like a lot of the credit for the design would go to the imagination of what part each part of the body looks like and what details it should have and what size it should be in comparison to the rest of the body amongst other specific details which can only come from the original artist. However I am proud of being able to recreate something to look much better than I expected it to with my own hands.